Ich sollte mal weiter zusammenfassen.....Erzkanzler hat geschrieben:Moin,
tja, so was passiert wenn man nicht den kompletten Thread liest.
Seite 65/66. KEINE Brücken. Und ja, es funktioniert....schon seit Monaten.
Grüße
Martin
Cayin CDT-17A
Moderator: Moderatorenteam
2285b hat geschrieben:Moin,
da hat ER damals ja mal wieder nachhaltig Verwirrung gestiftet...v.a. bei Berlinern
Gruß
Axel
YES, Axel!
Suche von Tonstudiotechnik Funk, Berlin: Kabel etc (alles anbieten)
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.
-
teiki arii
- Stammgast
- Beiträge: 163
- Registriert: Sa 11. Jun 2005, 15:43
- Wohnort: Perpignan, France
No I didn't with burson but with OPA627BP/AD843JNZ, what a shame, I'll do it and tell you by next month...Thargor hat geschrieben:Have you ever tried only two Burson OP-Amps?
So I should be comparing RCA/2Xburson Cayin CDT-17A to XLR/4XBurson Cayin CDT-17A-XLR input/RCA ouput Audio buffer-RCA on the RCA preamp Cayin SC-6LS OAD/2XFM DAD-M100proHT OAD/Ellis 1801b OAD..
CAYIN CDT-17A OAD&TS Full Discret OPA ver.2/VECTEUR L4.2 OAD-->full symetric DIY ampli class A-->Ellis 1801b OAD/JBL PROJECT ARRAY 1400
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
Yes, you should...teiki arii hat geschrieben:No I didn't with burson but with OPA627BP/AD843JNZ, what a shame, I'll do it and tell you by next month...Thargor hat geschrieben:Have you ever tried only two Burson OP-Amps?
So I should be comparing RCA/2Xburson Cayin CDT-17A to XLR/4XBurson Cayin CDT-17A-XLR input/RCA ouput Audio buffer-RCA on the RCA preamp Cayin SC-6LS OAD/2XFM DAD-M100proHT OAD/Ellis 1801b OAD..
SOOOON, please...
Aussie.... even more than AC/DC...
Suche von Tonstudiotechnik Funk, Berlin: Kabel etc (alles anbieten)
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.
-
Thargor
- Inventar
- Beiträge: 6206
- Registriert: Fr 3. Dez 2004, 23:44
- Wohnort: Kleines Kaff bei Hamburch
Na gut, dann will ich mich mal erbarmen.... (habe mal eine halbe Stunde lang umgesteckt):
Gehört mit Amperex 6DJ8 1970er. Nächste Woche kommen noch zwei Siemens E188CC als gematchtes NOS Pärchen zu mir....
dann gibts das ganze noch mal...
Platz 3: 2x Burson sonst nix. Hört sich sehr räumlich an, allerdings ist mir der Raum zu weit aufgespannt ausserdem leider wenig präzise.
Platz 2: 2x OPA627. Schöner Raum (etwas enger), jetzt dafür aber auch schön präzise. Kann man mit hören.
Platz 1: 4x Burson, 2x OPA627. Nochmals präziser und nun das ganze garniert mit wunderbaren Klangfarben. Und Raum ist auch noch da, nicht so groß wie bei 3 aber mindestens auf Niveau von 2.
Alles klar?
Viele Grüße!
Gehört mit Amperex 6DJ8 1970er. Nächste Woche kommen noch zwei Siemens E188CC als gematchtes NOS Pärchen zu mir....
dann gibts das ganze noch mal...Platz 3: 2x Burson sonst nix. Hört sich sehr räumlich an, allerdings ist mir der Raum zu weit aufgespannt ausserdem leider wenig präzise.
Platz 2: 2x OPA627. Schöner Raum (etwas enger), jetzt dafür aber auch schön präzise. Kann man mit hören.
Platz 1: 4x Burson, 2x OPA627. Nochmals präziser und nun das ganze garniert mit wunderbaren Klangfarben. Und Raum ist auch noch da, nicht so groß wie bei 3 aber mindestens auf Niveau von 2.
Alles klar?
Viele Grüße!
Schön, dass du ein einsehen hast. Auf deine Ohren ist Verlass, Guido!Thargor hat geschrieben:Na gut, dann will ich mich mal erbarmen....
[img:30:25]http://www.cosgan.de/images/midi/konfus/a040.gif[/img] Ich hatte natürlich inständig gehofft, dass 3) gewinnt, da ich 2) richtig gut finde, aber es gerne mit den Bursons erschwinglich verbessern will!
Also gleich 4 Aussis dazukaufen, arrgh! Na schön, Olli wird das gleiche brauchen, so teilt man sich wieder das Porto. Schön, geht in Ordung, mit mir kann man's ja machen... äh, dass war der falsche Film. [img:30:22]http://www.cosgan.de/images/midi/konfus/c105.gif[/img]
Es wird nicht mehr aufhören, es wird nicht mehr aufhören, es wird n....
Momentan bin ich aber nur noch am Bauklötze staunen, wie gut die Oloooch plötzlich klingt: Ein kundiger Mensch hat mir gestern a) dicke Netzteilelkos in den Verstärker gebaut und b) "die Röhren eingestellt" .
Plötzlich fetzen die Tungsol 6550 um die Kurve wie 'ne 250er Zweitakter! Holla! Vermutlich hat bisher jeder an meinem Hörvermögen gezweifelt, weil ich die Tungsols als dumpf und äußerst müde empfand.
Das ist Vergangenheit! Eine Röhre lief nur auf 15 mV, ihre Gegenspielerin auf über 60 mV. Jetzt, auf 48 mV (vgl. Rolf Kratzbaum), habe ich eine völlig neue Anlage vor mir, und sehne mich entgegen allen meinen früheren Postings erstmalig nach Vorstufenröhren mit schmelziger Mittenanhebung!
Der Bass ist nun in meiner Kette mit der EH6922 im CDP so deftig, dass die Amperex vermutlich besser passen würde, da Axel sie als schlank und schwarz einstuft.
Amperex oder Siemens, das ist hier die Frage!
Was meinst du (demnächst) dazu?
Und was verbirgt sich hinter Laurent's Siemens "gray plates"? Wie erkennt man die? Muss ja eine ganz besondere Musikampulle sein!
(Neu-)Gierige Grüße
Pit
Zuletzt geändert von princisia am Do 30. Nov 2006, 00:43, insgesamt 3-mal geändert.
Suche von Tonstudiotechnik Funk, Berlin: Kabel etc (alles anbieten)
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.
-
teiki arii
- Stammgast
- Beiträge: 163
- Registriert: Sa 11. Jun 2005, 15:43
- Wohnort: Perpignan, France
Hi Thargor, I didn't really understand what you said. So you prefer OPA627?Thargor hat geschrieben:Na gut, dann will ich mich mal erbarmen.... (habe mal eine halbe Stunde lang umgesteckt):
Gehört mit Amperex 6DJ8 1970er. Nächste Woche kommen noch zwei Siemens E188CC als gematchtes NOS Pärchen zu mir....
Platz 3: 2x Burson sonst nix. Hört sich sehr räumlich an, allerdings ist mir der Raum zu weit aufgespannt ausserdem leider wenig präzise.
Platz 2: 2x OPA627. Schöner Raum (etwas enger), jetzt dafür aber auch schön präzise. Kann man mit hören.
Platz 1: 4x Burson, 2x OPA627. Nochmals präziser und nun das ganze garniert mit wunderbaren Klangfarben. Und Raum ist auch noch da, nicht so groß wie bei 3 aber mindestens auf Niveau von 2.
Alles klar?
Viele Grüße!
CAYIN CDT-17A OAD&TS Full Discret OPA ver.2/VECTEUR L4.2 OAD-->full symetric DIY ampli class A-->Ellis 1801b OAD/JBL PROJECT ARRAY 1400
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
Fein! Dann schreiben wir mal einen Kurztest, liebe Schüler...Mel*84 hat geschrieben:Amperex NOS (B.Boy) "liegen noch" als Pärchen einmal bei mir rum.
Stelle sie für einen Kurztest zur Verfügung.
Es gab doch mal so ne Band: Peter & the Testtube Babies...
Suche von Tonstudiotechnik Funk, Berlin: Kabel etc (alles anbieten)
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.
-
Mel*84
- Honourable Member of RuH-Society
- Beiträge: 5387
- Registriert: Fr 15. Okt 2004, 07:29
- Wohnort: Lehnsahnerhof
Zur Info:
Der Cayin 17A ist in der Audio-Bestenliste in der Referenzklasse (115 Klangpunkte) eingeordnet worden. Der angegebene Ladenpreis betrug EURO 2500. Das Gerät wurde in 04/2006 getestet.
Ich bin auch kein Freund dieser Testgeschichten aber ich finde das Gerät ebenfalls super!
Der Cayin 17A ist in der Audio-Bestenliste in der Referenzklasse (115 Klangpunkte) eingeordnet worden. Der angegebene Ladenpreis betrug EURO 2500. Das Gerät wurde in 04/2006 getestet.
Ich bin auch kein Freund dieser Testgeschichten aber ich finde das Gerät ebenfalls super!
Was nützt die beste Hardware, wenn man an den Tonträgern spart!
Liebe Grüße
Thomas
Liebe Grüße
Thomas
-
teiki arii
- Stammgast
- Beiträge: 163
- Registriert: Sa 11. Jun 2005, 15:43
- Wohnort: Perpignan, France
Hello everybody,teiki arii hat geschrieben:No I didn't with burson but with OPA627BP/AD843JNZ, what a shame, I'll do it and tell you by next month...Thargor hat geschrieben:Have you ever tried only two Burson OP-Amps?
So I should be comparing RCA/2Xburson Cayin CDT-17A to XLR/4XBurson Cayin CDT-17A-XLR input/RCA ouput Audio buffer-RCA on the RCA preamp Cayin SC-6LS OAD/2XFM DAD-M100proHT OAD/Ellis 1801b OAD..
sorry for late answer, but I have to validate my experiment to tell you if it worth changing some parts to another.
1) I'm sorry -and again
- but I could not seriously compare XLR to RCA outputs since I have Mundorf on XLR and not on RCA outputs. So I fairly cannot conclude anything since the component parts are different from an output to the other: RCA output is obviously less good than XLR by far...2) I have been trying for nearly one week now, the XLR/RCA Burson audio buffer and I am very happy at last. The mariage of Cayin CDT-17A/XLR-->XLR/RCA Burson audio buffer-->Accuphase E-212/RCA works much better than Cayin CDT-17A/XLR-->modified Accuphase E-212/XLR. I remind you that Accuphase E-212 is not a real symetric ampli although André modified succesfully the XLR inputs to approach RCA inputs on it thanks to the old NE5532...
3) The Audio Buffer need to be in "phase" as the rest of equipment and give his best when you use a Conditionner/Filter with good power cords.
4) The four early days were awfull and very disappointing. A "burn-it" period is necessary, not less than 4 days at my home..
So, be patient.As a temporary conclusion, I would say it' a great bargain for me. I use it to link my Cayin CDT-17A XLR to any preamp/ampli input RCA as a better "single-ended stage" than Cayin output RCA and the sound is really marvellous: soundstage, details, "breath", "uncrispy"...
And I can use it on my CAYIN HA-1A with my Grado SR-325i: it's
.PS: some future OPA tests on I/V section...
CAYIN CDT-17A OAD&TS Full Discret OPA ver.2/VECTEUR L4.2 OAD-->full symetric DIY ampli class A-->Ellis 1801b OAD/JBL PROJECT ARRAY 1400
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
-
teiki arii
- Stammgast
- Beiträge: 163
- Registriert: Sa 11. Jun 2005, 15:43
- Wohnort: Perpignan, France
My review for Burson:
My tweak story began when I bought a Cayin CDT-17A CDP on February 2005. I was a little disappointed for the price. Nevertheless, I could hear its potential. So I decided to improve it by very easy ways : replacing existing tubes 6922EH and IC-OPA -6 OPA604AP, 4 AD827JN- by better ones according to the PCM1792 scheme, one per channel. I found the tubes : the great Mullard grey plates E188CC among excellent CCa Siemens and RTC E88CC/E188CC…
As I didn’t want to replace at first the « I/V conversion » section’s ones under red heatsinks –Dual AD827-, I set my heart on single OPA in « single-ended » section –two OPA604AP- and in « Differential Section » -four OPA604AP-. Some tests later, I kept AD843JNZ and OPA627BP among OPA604/OPA134/AD845/AD847/OPA627AP/OPA227/NE5534…But I was not as satisfied as I should have been: I found Vecteur L4.2 and Jolida JD-100S –without any IC-OPA in use for signal path- better sounding than my Cayin. I was sure that the problem came from IC-OPA because there still were « coloration » whenever I changed OPA from one to another.
So I looked for best solutions –by changing, thanks to André Devillers from Belgium, WIMA Caps for Mundorf Silver/Oil ones, by modifying the power scheme with CRCRC way, by « decoupling » the « charge » around the OPA with military Silver Mica NOS, by getting NOS Low ESR capas, an so and so- without finding any to be completly overjoyed until I red some experiments about Burson team’s products… I didn’t really believed in their explanations, so I passed my way. One month later, a friend of mine –Thibault Siezien from Belgium- talked me again about it. He though it could be a good solution for my CDP since these OPA were discret and not Integrated circuit made. I have a lot of place to work in the CDP, so I decided, thanks to him, to buy 4 Burson Discret single OPA to use in « differential section » as I only use it in XLR way . I noticed that my Cayin was so far better on Symetric than on Asymetric output since the scheme is a real symetric one…
After replacing my OPA627BP/AD843JNZ by Burson Discret OPA on that section, I understood at a glance I was finding what I have searched for months and months. The difference was so amazing that I couldn’t believe I had the same CDP in front of me : The soundstage became exceptionnal in « wide » , « high » and « deep » aspects. I could almost see the stage with protagonists on it ! The music instruments and voices’ 3D positions are accurate and precise. The piano sounds like a piano! Actually, the piano is a very difficult music instrument to be reproduced. With Burson Discret OPA in « differential section » the played notes get body impacts and feel « full ». With OPA627BP, the sounstage is very nice more deep than wide but the notes feel « half » played and the bass, where have the bass gone ? With OPA134AP/OPA604AP, the music feels « slow », not precise while soundstage is very « musical ». With AD843JNZ, the performance is acurate but the « remanence » disappears and the « musical » effects and atmosphere with it. Besides, the midrange and sounstage are not so good.
But do make no mistake : Burson Discret OPA are by very far better than IC-OPA in any ways ! I am very impressed by the natural, unfatiguing skills of my new "burson Cayin CDT-17A" which make the musical performances alive. The first class State-of-the-Art modules are « quick » and the attacks of the notes make feel the music instantaneous, like a snapshot. It perfectly looks like transparent, neutral and realistic. You can feel physically the piano, it comes true. The tones and snares are marvellous because they seems to be as if the instruments were in front of me. Dynamic is exceptionnal : the high are « aerial » and « clarified » without becoming « harsh » neither agressive, the bass are « decent » and « honest » without being « boomies », the midrange is « warm » without being « caricatured » nor « grotesque ». Details contribute to catch the mood of the audience around so well that I can clearly listen to the record machine’s motor on some CD!
I hope my experiment/experience paper shall be making the listeners and readers their mind up or most helpful. People, nowadays, choose wine by their type while they should choose it by « terroir » ! That’s pure marketing ! More than that, when you spend a lot of money for a good bootle of wine, Burson Team nearly offers it to you and Nirvana becomes true! It is not because you have the best parts in your electronics that you can make a fantastic one. Burson Team understood it and made a performing cocktail enough to catch the « musical reproduction », thanks to inanimate electronics, to make it alive. Burson is, to some extent, the « coin perdu » of the HiFi : tests and tasting are some of the « recettes/recipes » of success ! « Longue vie » to the Australian team…
Did I write about Burson XLR/RCA Audio Buffer ? And Burson clock ? Well it should be for another review… Now, I still have to compare, in « I/V conversion » section, Burson Dual Discret OPA to OPA2134AP, NE5532, AD827, LM4562, AD826, AD823, AD8066, AD8620, THS4032, LM6172, OPA2111, OPA2107… that’s another story –of tests-…
NB : to profit fully of the Burson Parts, I recommend over hundred hours of « burn-in »…
Some « cut-off » of the listened test CD :
- Stefano Bollani, Smat-Smat (Label bleu) : « la vita intensa »
- The Bad Plus, These Are The Vistas (Sony): « Keep The Bugs Off Your Glass And The Bears Off Your Ass »
- Bojan Z Trio, Transpacifik (label Bleu) : « The Joker »
- Orchestre de Contrebasses, Ch. Gentet (Musica Guild) : « Bass, Bass, Bass, Bass & Bass »
- Rachmaninov/Rachmaninoff , Concerto N°3 pour piano, Horowitz/Ormandy (RCA) : « Allegro ma non tanto »
- Archie Shepp Quartet, True Ballads, Gold 24K : « the thrill is gone »
- John Lee Hooker, Chill Out (Virgin Records) : « Annie Mae »
- Sara K. & Chris Jones, Are We There Yet (Stockfisch) : « (would You) Break My Heart. »
- Helen Merrill-Gordon Beck , No Tears No Goodbyes (Universal Music): « When I Look In Your Eyes »
- Lisa Ekdahl-Peter Nordahl Trio, Back to Earth (RCAVictor) : « it Had To Be You »
Some Links in french language about my « Burson Cayin CDT-17A OAD&TS»:
http://www.homecinema-fr.com/forum/view ... 7a&start=0
Comparison of Cayin CDT-17A of Teiki Arii with OPA2134AP ! in « I/V Conversion » section to other CDP, by Boonjik :
http://www.homecinema-fr.com/forum/view ... #170417072
Some links in french language about Burson Buffer Audio and Burson Discret OPA :
http://www.homecinema-fr.com/forum/view ... #170454849
http://www.homecinema-fr.com/forum/view ... #170458294
Best regards,
teiki arii.
My tweak story began when I bought a Cayin CDT-17A CDP on February 2005. I was a little disappointed for the price. Nevertheless, I could hear its potential. So I decided to improve it by very easy ways : replacing existing tubes 6922EH and IC-OPA -6 OPA604AP, 4 AD827JN- by better ones according to the PCM1792 scheme, one per channel. I found the tubes : the great Mullard grey plates E188CC among excellent CCa Siemens and RTC E88CC/E188CC…
As I didn’t want to replace at first the « I/V conversion » section’s ones under red heatsinks –Dual AD827-, I set my heart on single OPA in « single-ended » section –two OPA604AP- and in « Differential Section » -four OPA604AP-. Some tests later, I kept AD843JNZ and OPA627BP among OPA604/OPA134/AD845/AD847/OPA627AP/OPA227/NE5534…But I was not as satisfied as I should have been: I found Vecteur L4.2 and Jolida JD-100S –without any IC-OPA in use for signal path- better sounding than my Cayin. I was sure that the problem came from IC-OPA because there still were « coloration » whenever I changed OPA from one to another.
So I looked for best solutions –by changing, thanks to André Devillers from Belgium, WIMA Caps for Mundorf Silver/Oil ones, by modifying the power scheme with CRCRC way, by « decoupling » the « charge » around the OPA with military Silver Mica NOS, by getting NOS Low ESR capas, an so and so- without finding any to be completly overjoyed until I red some experiments about Burson team’s products… I didn’t really believed in their explanations, so I passed my way. One month later, a friend of mine –Thibault Siezien from Belgium- talked me again about it. He though it could be a good solution for my CDP since these OPA were discret and not Integrated circuit made. I have a lot of place to work in the CDP, so I decided, thanks to him, to buy 4 Burson Discret single OPA to use in « differential section » as I only use it in XLR way . I noticed that my Cayin was so far better on Symetric than on Asymetric output since the scheme is a real symetric one…
After replacing my OPA627BP/AD843JNZ by Burson Discret OPA on that section, I understood at a glance I was finding what I have searched for months and months. The difference was so amazing that I couldn’t believe I had the same CDP in front of me : The soundstage became exceptionnal in « wide » , « high » and « deep » aspects. I could almost see the stage with protagonists on it ! The music instruments and voices’ 3D positions are accurate and precise. The piano sounds like a piano! Actually, the piano is a very difficult music instrument to be reproduced. With Burson Discret OPA in « differential section » the played notes get body impacts and feel « full ». With OPA627BP, the sounstage is very nice more deep than wide but the notes feel « half » played and the bass, where have the bass gone ? With OPA134AP/OPA604AP, the music feels « slow », not precise while soundstage is very « musical ». With AD843JNZ, the performance is acurate but the « remanence » disappears and the « musical » effects and atmosphere with it. Besides, the midrange and sounstage are not so good.
But do make no mistake : Burson Discret OPA are by very far better than IC-OPA in any ways ! I am very impressed by the natural, unfatiguing skills of my new "burson Cayin CDT-17A" which make the musical performances alive. The first class State-of-the-Art modules are « quick » and the attacks of the notes make feel the music instantaneous, like a snapshot. It perfectly looks like transparent, neutral and realistic. You can feel physically the piano, it comes true. The tones and snares are marvellous because they seems to be as if the instruments were in front of me. Dynamic is exceptionnal : the high are « aerial » and « clarified » without becoming « harsh » neither agressive, the bass are « decent » and « honest » without being « boomies », the midrange is « warm » without being « caricatured » nor « grotesque ». Details contribute to catch the mood of the audience around so well that I can clearly listen to the record machine’s motor on some CD!
I hope my experiment/experience paper shall be making the listeners and readers their mind up or most helpful. People, nowadays, choose wine by their type while they should choose it by « terroir » ! That’s pure marketing ! More than that, when you spend a lot of money for a good bootle of wine, Burson Team nearly offers it to you and Nirvana becomes true! It is not because you have the best parts in your electronics that you can make a fantastic one. Burson Team understood it and made a performing cocktail enough to catch the « musical reproduction », thanks to inanimate electronics, to make it alive. Burson is, to some extent, the « coin perdu » of the HiFi : tests and tasting are some of the « recettes/recipes » of success ! « Longue vie » to the Australian team…
Did I write about Burson XLR/RCA Audio Buffer ? And Burson clock ? Well it should be for another review… Now, I still have to compare, in « I/V conversion » section, Burson Dual Discret OPA to OPA2134AP, NE5532, AD827, LM4562, AD826, AD823, AD8066, AD8620, THS4032, LM6172, OPA2111, OPA2107… that’s another story –of tests-…
NB : to profit fully of the Burson Parts, I recommend over hundred hours of « burn-in »…
Some « cut-off » of the listened test CD :
- Stefano Bollani, Smat-Smat (Label bleu) : « la vita intensa »
- The Bad Plus, These Are The Vistas (Sony): « Keep The Bugs Off Your Glass And The Bears Off Your Ass »
- Bojan Z Trio, Transpacifik (label Bleu) : « The Joker »
- Orchestre de Contrebasses, Ch. Gentet (Musica Guild) : « Bass, Bass, Bass, Bass & Bass »
- Rachmaninov/Rachmaninoff , Concerto N°3 pour piano, Horowitz/Ormandy (RCA) : « Allegro ma non tanto »
- Archie Shepp Quartet, True Ballads, Gold 24K : « the thrill is gone »
- John Lee Hooker, Chill Out (Virgin Records) : « Annie Mae »
- Sara K. & Chris Jones, Are We There Yet (Stockfisch) : « (would You) Break My Heart. »
- Helen Merrill-Gordon Beck , No Tears No Goodbyes (Universal Music): « When I Look In Your Eyes »
- Lisa Ekdahl-Peter Nordahl Trio, Back to Earth (RCAVictor) : « it Had To Be You »
Some Links in french language about my « Burson Cayin CDT-17A OAD&TS»:
http://www.homecinema-fr.com/forum/view ... 7a&start=0
Comparison of Cayin CDT-17A of Teiki Arii with OPA2134AP ! in « I/V Conversion » section to other CDP, by Boonjik :
http://www.homecinema-fr.com/forum/view ... #170417072
Some links in french language about Burson Buffer Audio and Burson Discret OPA :
http://www.homecinema-fr.com/forum/view ... #170454849
http://www.homecinema-fr.com/forum/view ... #170458294
Best regards,
teiki arii.
CAYIN CDT-17A OAD&TS Full Discret OPA ver.2/VECTEUR L4.2 OAD-->full symetric DIY ampli class A-->Ellis 1801b OAD/JBL PROJECT ARRAY 1400
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
-
teiki arii
- Stammgast
- Beiträge: 163
- Registriert: Sa 11. Jun 2005, 15:43
- Wohnort: Perpignan, France
I use 4 Burson Discret OPA in differential section because I am convinced Full PCM configuration is the best way. As I use XLR output, I do not have to put any OPA in the last two single-ended sockets. I also use a XLR/RCA Burson Audio Buffer to plug my XLR Cayin CDT-17A to any RCA preamp...Thargor hat geschrieben:Hi Teiki,
how many Burson do you use? All 6? Or only two?
Best regards!
Best regards,
teiki arii.
CAYIN CDT-17A OAD&TS Full Discret OPA ver.2/VECTEUR L4.2 OAD-->full symetric DIY ampli class A-->Ellis 1801b OAD/JBL PROJECT ARRAY 1400
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
-
teiki arii
- Stammgast
- Beiträge: 163
- Registriert: Sa 11. Jun 2005, 15:43
- Wohnort: Perpignan, France
Hello Thargor,Thargor hat geschrieben:I´ll try that too.....teiki arii hat geschrieben:But for sure, best improvement with super clock!!!!
what about the Burson clock?
CAYIN CDT-17A OAD&TS Full Discret OPA ver.2/VECTEUR L4.2 OAD-->full symetric DIY ampli class A-->Ellis 1801b OAD/JBL PROJECT ARRAY 1400
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
Headphone Ampli Cayin HA-1A-->headphone Grado Labs SR-325i Gold.
... if only you keep on reporting to us....Thargor hat geschrieben:I´m not so fast as you.....
Best regards!
@ Laurent:
Hi,
thank you for your revealing posting. Very nice to read (and tantalizing, too...)
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Falls in 2007 eine Sammelbestellung an den Kontinent der Beuteltiere zustande kommt: Ich bin dabei! [img:56:43]http://www.cosgan.de/images/smilie/tiere/a030.gif[/img]
Einen Beutel OPAs, bitte - ganz diskret(e)!
Best regards
Pit
Suche von Tonstudiotechnik Funk, Berlin: Kabel etc (alles anbieten)
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.
Bisschen Bass und Kickdrum liebe ich, luftig reine Höhen liebe ich. Und in den Mitten, da spielt die Musik.